上师佛铜像

上师像，是藏传佛教造像中的一个重要门类。上师，从藏文Bla ma一词意译而来，Bla ma一词还有最上、殊胜、师长、恩人之意，而我们通常熟知的“喇嘛”即是他的音译。汉传佛教中有三皈依，即皈依佛、皈依法、皈依僧，而藏传佛教认为，上师将佛法的真谛言传身教于弟子，是修行者证悟的引导者，其身份地位与佛等同，因此藏传佛教除了皈依佛法僧三宝之外，重视对上师的皈依，故有四皈依之说。藏传佛教也被称为喇嘛教，可见喇嘛，即上师，在藏传佛教中扮演着不可或缺的重要角色。

Guru statues are an important category of Tibetan Buddhist statues.Guru, from the Tibetan Bla ma word translation, Bla ma word, and the most supreme, the best, teacher, benefactor meaning, and we usually know "lama" is his phonetic translation.In Chinese Buddhism, there are three converts, that is, convert to Buddha, convert to the law, convert to the monk, and Tibetan Buddhism that the master will be the true meaning of the Buddha's teachings in the words of the disciples, is the practitioner of enlightenment guide, its identity status and the Buddha and the status of the same, so Tibetan Buddhism in addition to the conversion of the three jewels of Buddha, law and monasticism, attach importance to the conversion of the master, so there is a four converts said.Tibetan Buddhism is also known as Lamaism, so it is clear that the lama, or guru, plays an important and indispensable role in Tibetan Buddhism.

作为佛教徒和修行者供奉和皈依的对象，西藏历史上制作了大量的上师像。

As objects of worship and conversion for Buddhists and practitioners, a large number of guru statues have been produced throughout Tibetan history.

再回到这尊造像，品相完好，铜质莹润。此像具有鲜明的面部特征，人物的眼睛呈枣核形，眼角微微上挑，嘴角带有微笑；身躯笔直端坐于莲台，整体线条流畅自如，可见工匠手法之娴熟。轻松随意之中塑造出疏密有致的装饰纹样。人物盘腿端坐于莲花座上，衣物包覆其外，形成有规律的宽大褶皱。随衣褶的折叠分布，富有强烈的装饰感。双手放于胸前，食指与拇指捏持药丸状物。柔软富有动感的手指、饱满的手臂，宽阔的肩膀，厚实的身躯，增加了造像的生动与庄重之感，也传递出人物恬淡平和的心境与氛围。在现存上师像中无疑属于难得的精品之作。

Back to this statue, in good condition, copper moist.This statue has distinctive facial features, the character's eyes are jujube-shaped, the corners of the eyes slightly upward, the corners of the mouth with a smile; body straight sitting on the lotus platform, the overall lines are smooth and free, see the craftsman's skillful techniques.In a relaxed and casual way, it is shaped with sparse and dense decorative patterns.Character sitting cross-legged on the lotus seat, clothing covered with its outer, forming a regular wide folds.With the folded distribution of the folds of the clothes, a strong sense of decoration.Both hands are placed in front of the chest, the index finger and thumb pinch the pill.Soft and dynamic fingers, full arms, broad shoulders, thick body, increasing the vividness of the statue and solemnity, but also conveys the characters calm and peaceful state of mind and atmosphere.It is undoubtedly a rare work of art among the existing guru statues.

造像台座为仰覆莲样式，饱满的莲花瓣从台座中央向两侧略呈放射状铺设，直至台座的侧后方。双层莲瓣的边缘起立体棱线，花瓣尖端微微卷起。台座下缘有一圈细密的连珠纹，与台座卷沿相呼应，华丽而精致。

The pedestal of the statue is in the style of a lotus flower, with full lotus petals spreading from the center of the pedestal to both sides in a slightly radial pattern until the side and back of the pedestal.The edges of the double lotus petals are three-dimensionally ribbed, and the tips of the petals are slightly rolled up.The lower edge of the pedestal has a circle of fine bead pattern, and the pedestal roll edge echo, gorgeous and exquisite.

造像封底保存完好，底板正中有线刻十字交杵，可见厚重的铜胎和密实的封边。

The bottom of the statue is well-preserved, and there is a line in the center of the bottom plate with an engraved cross and a pestle, which shows the heavy copper tires and dense sealing edges.

与其他作品相比较，可以看出这尊上师像体现了精湛的写实技艺，工匠着力刻画出肖像的面部特征，同时展现了一位高僧的庄严法相，加上疏密有致的錾刻，打磨光滑的表面，使得造像展示出精致而华丽的风格，手法娴熟高超，保存完好，堪称是一件不可多得的上师像精品。

Compared with other works, it can be seen that this statue of the master embodies a superb realistic skills, craftsmen focus on carving out the facial features of the portrait, at the same time, showing the solemnity of a monk's dharma, coupled with sparse burin engraving, polished surface, making the statue shows a delicate and gorgeous style, skillful and well-preserved, can be regarded as an indispensable master statue of fine works.